Tuesday, October 30, 2012

Whiiite & Prima Volta ft. Stazz - Broken


In a culture driven by the internet, new music is always available.  Therefore, in order to really make a name for yourself, the quality, rather than the quantity, of the music producers release to the public is more significant in creating a lasting impression on the listening public, i.e. all of us bass heads.  If your remix is utterly jaw-dropping, you're on the radar with the bloggers and EDM aficionados salivating for your next release (even if it's only to ensure you aren't a one-hit wunderkind). 

Well, if you've heard his A-MAZE-BALLS remix of Knife Party's Fire Hive, then you're already aware of Whiiite.  He's been releasing remixes that have been in my heavy rotation for some time now.  Hailing from Hollywood, CA, DJ Chris White aka Whiiite has been making waves.  By incorporating the scratchy, filthy sub bass tones into a groove beat, his productions are absolute bangers.  Check out his soundcloud here.  His bio is interesting and demonstrates his creative/imaginative side.  He's just released a Halloween EP for free, and the track we're featuring today is from his first EP "Whiiite Begins EP" out now on Beatport.   If you like filthy bass, do not sleep on this guy.  Go grab your copy or stream through soundcloud today.  Click Play.  Thank me later.



Also, my favorite of his tracks from awhile back...someone told me, "this remix isn't that great." And then, they heard it drop. ;P The one below is pure nektar.

Wednesday, October 24, 2012

Suicide Silence - You Only Live Once (Hulk Remix)


Dubstep has many moods and faces.  It varies from the relaxing melodies of chillstep to the groove and rock of trapstep.  Then, there's FILTHY.  The filthy tracks are the ones that make you go "ughhhh!!!" and crack a big smile.  These special tracks are perfect for a head-banging sesh on the road or for that workout obstacle that you can't pass without an extra push.  This track, my friends, is the track that will turn your Monday into a Friday in less than a minute.

If you are familiar with dubstep, you've probably heard of HULK.  Out of Chi-Town and Gotham, these two have an anthology of tracks that are worth exploring.  Each one is filthier than the next. Check out their soundcloud.  This track in particular is an absolute MONSTER.  Combining the heavy hardcore style of SUICIDE SILENCE and adding in their signature dirty wobble bass, HULK's remix of YOU ONLY LIVE ONCE is a must-add in all iTunes playlist formats.  It starts heavy and just...keeps...on...going.  Hide your wife and your kids.  Your ears are about to get raped.  You've been warned.  ;P


Sunday, October 21, 2012

Current Obsession: Zeds Dead


Hello, my bass-loving butterflies!!  I want to take a moment and welcome our international viewers (you may be bots, but you may be awesome dub heads.  We welcome both...for now. :D)  As you guys know, I was one of the lucky thousands that went to Counterpoint last month, and with all the wonderful lasting memories and exciting after-effects on my life and musical palette, I came away from the experience with a newly rediscovered love for some of my favorite djs.  Namely, in this instance, I'm referring to ZEDS DEAD.

Hailing from north of the border (Toronto, CA), this musically-brilliant duo has been destroying venues and eardrums for years.  Starting their dance floor productions in 2009, they've released monster upon monster contributing their genre-breaking, hip-hop-influenced style to the anthology of room shakers.  To quote a friend of mine, "Zeds Dead makes the filthy really clean.  It's so crisp you can't help but move part of your body. -CPC"

Catch them live just once, and I promise you'll recognize what has made over 300K people salivate.  Check out their "The Living Dead EP" collaboration with Omar Linx.  Tracks below are some personal favorites.  Click Play. Enjoy.


Saturday, October 20, 2012

Bass Enthusiasts: $$$XXX has a radio show






Have you guys heard?  Homeboy's got a new radio show.  No, not me, but Ross a.k.a. $$$XXX a.k.a. Reptar a.k.a. Magic is straight murdering the college radio scene right now.  He did a few preview mixes on SCAD Atlanta Radio, and he now has a two-hour bass-heavy radio show on Saturdays from 10PM to 12AM (EST).  You should check him out in iTunes radio or with the TuneIn app on iOS devices (search SCAD ATLANTA RADIO).  His most recent broadcast is downloadable below.  Spread the word, this kid has taste.  He doesn't have many tracks, but his faves are worth perusing.  Soundcloud

MAGIC's School Bus Ep. 001

Zooly - You Should Know



Taking Dragonette's vocal sample from her HUGE track "Hello" with Martin Solveig, Zooly absolutely destroys this track.  It's not just a remix or a genre-specific track (Well, I guess if you had to label it, it'd be trap).  It's a fantastic production. Give it a listen and tell me it's not dirty.

8Tracks - Killin It




Oh, my people.  The time between our visits is much to be desired.  Well, here's an update for you.  There's so many tracks dropping recently that I'm going to do a rapid succession of posts today, so be ready.  Right off the bat though, here's a mix I made that captures my listening history for the past couple days.  Enjoy. 

Friday, October 12, 2012

Skism - LIVE at Lowlands 2012



Ever heard a fire mix that just keeps going?  From start to finish, a good mix is hard to find, and especially bad ones are torture.  This mix is nectar.  SKISM from the UK just murdered this.  Click Play, Go Hard.


Tuesday, October 9, 2012

Why I support EDM's growing mainstream-yness and PLURR



Does anyone think the question of EDM's popularity in the mainstream is becoming increasingly hypocritical?  The major consensus is that EDM is trying their hardest to separate themselves from major pop artists, such as Lady Gaga, Madonna, and Justin Bieber, who are seen as the more annoying pop artists but have been major supporters of the movement.  Granted, the increasing support could be due to the commercial side of the music industry in that popularity is relevance and relevance is revenue, but I'm starting to wonder if these artists might have a legitimate interest in the electronic scene.

Please hold all questions until the end.  Thank you.  (oh, also, if you don't care about this discussion, music is at the end of the post.  Just some bass for your day.  <3)

If you take into account the general consensus that surrounds the electronic music scene, most people can agree that it's the future of music.  Even non-fans believe that with technology's major role in society's everyday life that music is never going to be the same again.  Well, in truth, it hasn't been for quite some time.  Technology starting with the keytar and keyboard's popularity in the 70's and 80's was an earlier incorporation of technology into the music production scene.  Electronics have been used to produce rap beats for decades now, and everything is mixed and leveled correctly through a soundboard.  This has been going on for years, but I digress.  Other antagonists of EDM argue for the preservation of real instruments, as they will die out as the popularity for learning such unique skills would fade away.  I tend to disagree.  Real instruments will always have relevance, since classical music's essence and beauty is not lost on the general public.  (Besides, won't their always be asian parents?  Yeah...covered.)  Also, with the growing popularity of electronic music, the artistic creativity of a soloist or classical artist will also experience an increase in demand in the coming years.  (Read: Lindsay Stirling's recent melding.)

If electronic music is the future, then most artists are going to need to convert or adapt to the changing times.  Regrettably, no orchestra can produce the same clear-cut beats as that of a producer in front of a computer.  It just can't be done.  So, if you are any popular artist and you decide you want to make a banging track, wouldn't you want to make a track with elements of what you love right now?  Who would you go to for a beat or for a collaboration?  The best in the game.  If you happen to be a fan of their work, then why not the better?  (side note: it would suck if my favorite producer didn't want to work with me.  #bummer )  But in most cases, producers are happy to work with pop artists.  (See: DJ Chuckie's 100 Bottles for Chris Brown).  As the Usher-Diplo massively popular track shows us, electronic music and pop music are pretty much fused at this point.

Understandably, purists of the EDM scene absolutely hate this.  They don't want their "scene" to be destroyed by the utter nastiness that is the general public.  From radio overplays to sampling in commercials and movies, the general public destroys really good things (Please see Tupac Shakur, Ice Cube, and Will Smith's rap career).  However, I think they really must look at themselves to see what caused this apparent "ruin."  (This is directed to me as well as all lovers of EDM.) You live in the moment.  You accept everyone for what they are because it's all about peace, love, unity, respect, and responsibility.  Everyone's equal.  Everyone is loved.  We're all there to have a good time, so we can respect one another for that simple fact.  Why wouldn't the world want to jump on this bandwagon?  It's like a productive/clean-shaven hippie renaissance.  I'm sorry...but what?!  Yeah, it is.  The whole world is learning this philosophy and running with it.  Be proud of that.  With electronic music's growing popularity, we're also supporting a lifestyle predicated on love and happiness.  Yeah, swag up.  We're making the world a better place.  So, why is everyone hating on Lady Gaga and Justin Bieber for being fans? 

Aren't they people too?  The greatest thing about the EDM scene is you can leave whatever you do and whoever you are at home for a few hours or a few days, and you can simply be a fan of good music and good times.  Why can't popular artists do that too?  Better yet, why can't they contribute and bring their talent?  Are you gonna tell Kobe that he can't play on your rec team because you don't like how mainstream he is?  Kobe, you can play on my team anytime.  I think popular artists could hurt the scene, but they'd bring so much talent to the pool. Yes, I get the argument that they're already popular and taking spots from unknowns that work in the underground.  But isn't their enough room for everyone?  I think certain genres like House and electro will go mainstream as they are the most digestible, but dubstep and trance?  They're going to stay relatively under.  I mean, I'd love a dubstep track with Ke$ha on it.  (To this day, best live show I've ever seen.  So much fxcking glitter and confetti.)  Nevertheless, I'd actually be some pop artists' fan if their songs had a little more bass and wobble in them.  No one can deny their talent.  We can all agree that they're dumb people (except I think Bieber is really an Ewok that shaved most of his body. :P) I just don't understand how producers that tweet "#PLURR" and wear kandi can say they hate anyone.  I could understand the hate if Dick Cheney was like "yo, let's collab!", but just because the general public has Bieber Fever or are a bunch of Lil Gaga Monsters and the music industry makes millions off that, you shouldn't hate.  You can decline, but you shouldn't hate.  That's missing the point, but I think as more and more people get exposed to and fall in love with EDM, more and more talented singers will be coming to EDM.  Not a thing anyone can do about it.  Love them.  Ignore them.  Move on.  Ultimately, I'd probably like more of them.  At the very least, I'll give them a chance to disappoint me. 

Yes, you can say that I'm just falling into the trap set before us, but really, is it such a bad thing?  I rarely listen to the radio because I always listen to songs on my phone, playlists through different apps, or internet radio.  One day, I didn't have my phone and had to drive two hours.  The radio was absolutely awful except for the few tracks here and there that I could digest.  It's hard to flip back to the 90's when you're listening to the future all the time, but popular music has come a long way from Smashmouth and Nsync.  So, I would love for the producers I like to become immensely popular.  I'd love for them to collab with the most talented people because that's when you truly get the greatest creations.  Is it Bieber or Gaga? Who cares?  But what's the harm in trying?

I understand that they're taking the track and renaming it and recategorizing it.  Calling it their own.  But so what?  Was Hit-Boy's N***** in Paris called that when he sold it to Jay and Ye?  Nope. (actually, I don't know, but most of you are probably like "Who the f is HIT-BOY???" anyways.)  The more that producers fight this, the worse it will be for them.  Other opportunists will take advantage and the David Guetta's of the world will prosper.  He's talented, but the argument could be made that he's a sell-out.  I think he wanted to work with big names and get paid.  I think that kind of makes his legitimacy argument equally relevant.  So, just leave the hate at home, ladies.

Public rants make you look classless.  I don't want the news I read to be about your comments but about your work or the venue you shut down.  When I listen to the radio, I would love to hear your tracks.  Why not?  You're getting massive exposure.  Kiss your Honda goodbye, and go pick up your Bentley.  I'm sorry...problems?  You're talented, you deserve it.  Yes, I get that you're a complicated artist.  Yes, I know you want credibility.  But are you going to honestly tell me that if Jay-Z wants a collab, you aren't jumping on that?  I'll tell you this, he doesn't work with classless people.  I'm just sayin.  But back to the radio and the mainstream...

I mean, I rarely listen to the radio, so the overplays won't get me.  In truth, most of you probably don't listen to the radio either.  Let's be real here.  So, for the few times that I do listen to the radio, I'd love for it to be better music, and the better musical taste the general public has, the better popular radio will be.  Increased exposure can only mean a higher standard but more money-grubbing (but that was guaranteed anyways once women starting dressing in underwear for shows...they're doing what??? Yeah, why wouldn't the world be on board again?). So, go ahead, ruin my scene, I'm not even listening.  If you jack up the prices for tickets, I'll just go to smaller shows.  I know at least two things are certain.  I'm still gonna love, and I'm still gonna dance.  Gimme a beat!

Down below, some dirty little tracks...and as always, click play.  die happy. ;P



Monday, October 1, 2012

Counterpoint 2012

For those of you that didn't know, this past weekend was Counterpoint 2012.  The first annual music festival in Atlanta, GA.  It was one of the greatest experiences of my life, and videos and photos will be coming shortly (from my personal camera and also from other people's posts on the web).  Also, I'll be posting my favorite dropped tracks by each DJ and (God-willing) if someone posts the complete sets, then I'll post those as well.

Initial thoughts:

Masks are overrated and extremely hot.
Bassnectar was sick.
The crowd could have used some more love.
skrillex was the greatest set of the weekend.
Pretty Lights had fireworks.
Only Zedd dropped Gangnam Style.
Water is worth more than drugs.
I met beautiful girls.
Only one to write home about.
Zeds Dead, Excision, and Feed Me went extremely hard.
12th Planet was everything I hoped he would be.
HxV...no words.
Adventure Club is baby making dubstep (fuckstep).

Photos and vids to come.  Stay tuned.


EDIT: Sorry guys, but I'm gonna have to eat my words on this one.  It would literally take a few days to collect that stuff together and make three massive posts.  I want to say that I'll get to it soon, but let's be honest, it'll happen when it happens.   Sorry for the false anticipation, but look for a few new tracks today and the following.  -DP