Sean x Bobo - Fxcked Up (Original Mix)

This power duo out of Stockholm, Sweden is making waves in the electro house department.  With only three tracks on their soundcloud, each one is a funky beat you can just groove to (Forgive the prepositional error. :P).  Check out this track if you like when music makes you move.  

Two weeks of musical goodness

It's 2013.  I never thought we'd actually make it to this point.  I mean, what have the Mayans gotten wrong?  They ARE one of the world premier superpowers...oh wait.  Well, as the world turns, so do the dirty tracks.  It's been 14 days, and ehrmehgawd.  It's gonna be an amazing year.  Like Odysseus and the Sirens.  It's gonna be epic.  Tell your mom.

NOTE:  We don't believe in genres here at SB.  So, just to give you an idea of categorization, there will be a short phrase or sentence to highlight how the track made us feel.  This will be done for all tracks forthcoming in 2013.  Also, we sourcecode-ed most of the stuff, so give each of these producers love on their Facebooks or the Soundclouds.  And away. we. go.

First up is a monster.  Literally, a monster.  It's DELTA HEAVY with their new track "Empire."  No better way to kick off this update. These masters of bass slay you with the banger to start any party. Get #WGW and bust to this!!  Total Hype track! All rise.


This next one is the heavy anthem of 2013...so far.  You heard it hear first.  This is that dirty dub track you'll get nasty to tonight with that lil tasty you just met.  This song will get you in rage mode in 1 minute.  PHUTURE DOOM is an up-and-coming producer out of Detroit.  Expect to hear this one at many shows this year.  As this is their first release, they've not only made a clear statement about their talent but also their immediate impression on the electronic producer scene. (Yeah...big boy props.)  This song gets me exactly where I need to be to rage. LEHGO!!

2012 - YELLOW CLAW's name kept creeping up in my recently liked or downloaded.  2013 - I look forward to seeing the name "YELLOW CLAW."  After his track "Make it Clap" with CESQEAUX, I was hooked.  Another SB fave takes the classic Major Lazer track "Get Free" and becomes a boogie trap anthem.  I know these both have been out for a minute, but he's the artist to look out for this year.  Well, him and ookay, but check out my fave tracks below.  Unh, time to groove.


This is an absolute mindfxck.  Put on repeat. NOW!!  RULE OF EIGHT is from OKLAHOMA! The next greatest thing to come out of there beside a musical about cowboys and drugs (yeah, drugs....watch it again).  Dude's got talent.  This is off his newly released comp., DATABENDING EP.  Go cop it.  The other track's alright.  My bandana is in full rage mode at this one.



Where my house bunnies at?! This track is just for you.  Just imagine yourself getting filthy skanky on the dancefloor to this one.  I hear it and imagine getting showered in glitter...#ke$ha <3
TMARE has been on the scene for a minute, and every track he releases is just that much better than the last.  SHUHANDZ has been on the scene for a minute, too.  With these two mindz behind this monster, one has to imagine what must be in store for the future. DANCE. <3

Hailing from San Diego, CA, this producer is gonna kill it this year.  See what LOUISIANAJONES does with a remix of a remix of a remix?  Yeah, it's that kind of remix.  The creativity and the composition of this track announces the musical talent that brought nectar to my ears.  See this dude spin. (Youtube vid this time because the equalizer coincides with this one.  We like those videos.) Buckwild.



Make room among the stars cause here's the breakthrough artist to watch out for in 2013.  (Do I say that alot?)  This producer got me hooked with his remix of SANTIGOLD's "Creator."  Then, I heard his "Clarity" remix.  I was impressed.  Then, Christmas came.  OOKAY!  He released multiple trap remixes of some great christmas songs, blending both the holiday with the electronic music I can't live without.  I just appreciate that kind of musical personality.  I respect it.  Go check out his Soundcloud in any of the tracks posted.  It's well worth the trip.  Okay!


Time to get FILTHyyyy.  More Bass.  Get ready.  3...2...1....boom. RAGE!!!

There's no altitude between sea level and space that encapsulates where this song takes you.

breathe.


It's a trap, but go check out UFO!  He's making waves in the electronic scene.

TOROLLA does it again.  These magnificent geniuses created a track in the vein of skrillex-ian nostalgia. I have yet to hear a track of theirs that disappointed me or made me think, "eh, try again."  When I see their name, I know I'm going to dance, whether I want to or not.  That's a good reputation to have.

If you are feeling WILD...

or Nostalgic.


With the last heavy track of the post, it, of course, had to be a DADA LIFE remix.  This track seriously surprised me without being overwhelming.  ANDYBODY takes the variety of electro into this mover and makes it cream.  I can rage to dis one.  Yum.

Then DILLON FRANCIS comes along and rips it.
This is what a cloud must feel like pulsating between your fingers to the ambiance of these female vocals.  A ninja-level composition.


This would be the personal relationship I'd have with that cloud... You can't help but love a wonderfully remixed work with Kaskade's lyrics. BRING THE NOISE does just that by elevating your acoustic perception to an effervescent spiritual escape.

Coming back to earth...gently...spiritually...mentally...physically.


Now, remember...click play. die happy. :P





I lied. :D

What I do on the weekends...

  It begins with a... feeling.  Standing in line, you review the details of the ticket you printed at home or at work.  You read the lines you’ve read repeatedly every day leading up to this moment, sometimes multiple times per sitting in multiple sittings each day.  The folds of the paper exhibit the fragility of repeatedly handled paper.  Proudly adorned with food stains and water rings, proclaiming for the world that you lived with this ticket on your person.  You ate, slept, and dreamt of this.  You anxiously texted and tweeted every friend that matters in that moment and made it a “family event.”  You posted on Facebook with various obscure lyrics that only aficionados would “like” and “cool kids” would finish.  (The lame ones name the song and criticize how old it is… jk…but really.)  Your entire existence was consumed by the anticipation of tonight. Armed with the brightly beaded, playful bracelets that you created with your friends whilst listening to this new mixtape or that Pandora station, you look at the people in the long, stagnant “will call” line and muse to yourself, “noobs.” 

            While you stand there waiting, you pass the time discussing what tracks you hope to hear, what things your friend had to go back and get from the car, and which outfit is most flattering and unflattering of your fellow “line prisoners.”  You pray that you fight off the feelings of your “pregame” and that you can get through the door subtly and without suspicion, double-checking your stash spot to make sure you really can’t feel what it hides.

At long last, it’s your turn.  You relinquish your grip on the parchment that symbolized everything you are about to experience.  Using your real or fake identification, you confirm to The Man that you rage but can do so responsibly.  Oh, that feeling.  The goose prickles covering your forearms and the back of your neck are invasive, yet comforting.  The responsible adults of the evening award you with another bracelet of paper/plastic or humiliate you with large black marks to signify your exclusion from the liquids you both know you already consume regularly.  (But who cares?  It washes off with soap anyways.) 

Then, you wait.  You want to stay with the group, so you wait on the coat depositor and the will-call sadist.  You, as a group, go to the bathroom.  Analyzing your appearance, voiding any baggage, and ensuring an on-point, group entrance.  (I mean, you shopped online for hours, looking for that bright neon furry or bandana.  It must be properly worn.)  After all, you’re family.  And away you go. 

The room is crowded; you can feel the heat.  The aura of moving, gyrating bodies waiting with bated breath for the show to begin is palpable, but you live for this. 

The opening music isn’t simply sound, but a flood of sensation encompassing your entire being.  It tingles across your epithelium and tickles your obsession for bass.  Akin to the most ridiculous foreplay, you know the best part is still yet to come.

You scour for minutes to find the “sweet spot” for group dancing, jumping, standing, and talking.  Just close enough to feel the bass, but with room to breathe without the oppressive glares of security.

You can’t believe it’s here.  Your heart flutters like a hummingbird’s wings in mid-flight. 

The lights dim down. 

The crowded yells out in excitement.  AHHHHHHH!!!!! 

Then, the bass hits hard, and in unison, the entire room is moving.  If the “will call” line can hear this, you know they’re shaking it, too.  In that moment, you are all one.  Everything important to you is in that room or on that stage.  In THAT moment, you are beyond reality.  Time is frozen. 

Then, you blink. 

The lights give you the sense of security that this is, in fact, real. 

You breathe to immerse yourself in the moment. 

Then, you blink.

You look at the smiles all around you, at the love pouring out of each living soul.  You concentrate to absorb this feeling to make the seemingly, everlasting purgatory until the next show more bearable.

Then, you blink.

You dance, you laugh.  You rage at the drops.

Then, you look, and it’s over. :(

EDIT: NOW, here's something delicious for you to enjoy.

Why I support EDM's growing mainstream-yness and PLURR

Does anyone think the question of EDM's popularity in the mainstream is becoming increasingly hypocritical?  The major consensus is that EDM is trying their hardest to separate themselves from major pop artists, such as Lady Gaga, Madonna, and Justin Bieber, who are seen as the more annoying pop artists but have been major supporters of the movement.  Granted, the increasing support could be due to the commercial side of the music industry in that popularity is relevance and relevance is revenue, but I'm starting to wonder if these artists might have a legitimate interest in the electronic scene.

Please hold all questions until the end.  Thank you.  (oh, also, if you don't care about this discussion, music is at the end of the post.  Just some bass for your day.  <3)

If you take into account the general consensus that surrounds the electronic music scene, most people can agree that it's the future of music.  Even non-fans believe that with technology's major role in society's everyday life that music is never going to be the same again.  Well, in truth, it hasn't been for quite some time.  Technology starting with the keytar and keyboard's popularity in the 70's and 80's was an earlier incorporation of technology into the music production scene.  Electronics have been used to produce rap beats for decades now, and everything is mixed and leveled correctly through a soundboard.  This has been going on for years, but I digress.  Other antagonists of EDM argue for the preservation of real instruments, as they will die out as the popularity for learning such unique skills would fade away.  I tend to disagree.  Real instruments will always have relevance, since classical music's essence and beauty is not lost on the general public.  (Besides, won't their always be asian parents?  Yeah...covered.)  Also, with the growing popularity of electronic music, the artistic creativity of a soloist or classical artist will also experience an increase in demand in the coming years.  (Read: Lindsay Stirling's recent melding.)

If electronic music is the future, then most artists are going to need to convert or adapt to the changing times.  Regrettably, no orchestra can produce the same clear-cut beats as that of a producer in front of a computer.  It just can't be done.  So, if you are any popular artist and you decide you want to make a banging track, wouldn't you want to make a track with elements of what you love right now?  Who would you go to for a beat or for a collaboration?  The best in the game.  If you happen to be a fan of their work, then why not the better?  (side note: it would suck if my favorite producer didn't want to work with me.  #bummer )  But in most cases, producers are happy to work with pop artists.  (See: DJ Chuckie's 100 Bottles for Chris Brown).  As the Usher-Diplo massively popular track shows us, electronic music and pop music are pretty much fused at this point.

Understandably, purists of the EDM scene absolutely hate this.  They don't want their "scene" to be destroyed by the utter nastiness that is the general public.  From radio overplays to sampling in commercials and movies, the general public destroys really good things (Please see Tupac Shakur, Ice Cube, and Will Smith's rap career).  However, I think they really must look at themselves to see what caused this apparent "ruin."  (This is directed to me as well as all lovers of EDM.) You live in the moment.  You accept everyone for what they are because it's all about peace, love, unity, respect, and responsibility.  Everyone's equal.  Everyone is loved.  We're all there to have a good time, so we can respect one another for that simple fact.  Why wouldn't the world want to jump on this bandwagon?  It's like a productive/clean-shaven hippie renaissance.  I'm sorry...but what?!  Yeah, it is.  The whole world is learning this philosophy and running with it.  Be proud of that.  With electronic music's growing popularity, we're also supporting a lifestyle predicated on love and happiness.  Yeah, swag up.  We're making the world a better place.  So, why is everyone hating on Lady Gaga and Justin Bieber for being fans? 

Aren't they people too?  The greatest thing about the EDM scene is you can leave whatever you do and whoever you are at home for a few hours or a few days, and you can simply be a fan of good music and good times.  Why can't popular artists do that too?  Better yet, why can't they contribute and bring their talent?  Are you gonna tell Kobe that he can't play on your rec team because you don't like how mainstream he is?  Kobe, you can play on my team anytime.  I think popular artists could hurt the scene, but they'd bring so much talent to the pool. Yes, I get the argument that they're already popular and taking spots from unknowns that work in the underground.  But isn't their enough room for everyone?  I think certain genres like House and electro will go mainstream as they are the most digestible, but dubstep and trance?  They're going to stay relatively under.  I mean, I'd love a dubstep track with Ke$ha on it.  (To this day, best live show I've ever seen.  So much fxcking glitter and confetti.)  Nevertheless, I'd actually be some pop artists' fan if their songs had a little more bass and wobble in them.  No one can deny their talent.  We can all agree that they're dumb people (except I think Bieber is really an Ewok that shaved most of his body. :P) I just don't understand how producers that tweet "#PLURR" and wear kandi can say they hate anyone.  I could understand the hate if Dick Cheney was like "yo, let's collab!", but just because the general public has Bieber Fever or are a bunch of Lil Gaga Monsters and the music industry makes millions off that, you shouldn't hate.  You can decline, but you shouldn't hate.  That's missing the point, but I think as more and more people get exposed to and fall in love with EDM, more and more talented singers will be coming to EDM.  Not a thing anyone can do about it.  Love them.  Ignore them.  Move on.  Ultimately, I'd probably like more of them.  At the very least, I'll give them a chance to disappoint me. 

Yes, you can say that I'm just falling into the trap set before us, but really, is it such a bad thing?  I rarely listen to the radio because I always listen to songs on my phone, playlists through different apps, or internet radio.  One day, I didn't have my phone and had to drive two hours.  The radio was absolutely awful except for the few tracks here and there that I could digest.  It's hard to flip back to the 90's when you're listening to the future all the time, but popular music has come a long way from Smashmouth and Nsync.  So, I would love for the producers I like to become immensely popular.  I'd love for them to collab with the most talented people because that's when you truly get the greatest creations.  Is it Bieber or Gaga? Who cares?  But what's the harm in trying?

I understand that they're taking the track and renaming it and recategorizing it.  Calling it their own.  But so what?  Was Hit-Boy's N***** in Paris called that when he sold it to Jay and Ye?  Nope. (actually, I don't know, but most of you are probably like "Who the f is HIT-BOY???" anyways.)  The more that producers fight this, the worse it will be for them.  Other opportunists will take advantage and the David Guetta's of the world will prosper.  He's talented, but the argument could be made that he's a sell-out.  I think he wanted to work with big names and get paid.  I think that kind of makes his legitimacy argument equally relevant.  So, just leave the hate at home, ladies.

Public rants make you look classless.  I don't want the news I read to be about your comments but about your work or the venue you shut down.  When I listen to the radio, I would love to hear your tracks.  Why not?  You're getting massive exposure.  Kiss your Honda goodbye, and go pick up your Bentley.  I'm sorry...problems?  You're talented, you deserve it.  Yes, I get that you're a complicated artist.  Yes, I know you want credibility.  But are you going to honestly tell me that if Jay-Z wants a collab, you aren't jumping on that?  I'll tell you this, he doesn't work with classless people.  I'm just sayin.  But back to the radio and the mainstream...

I mean, I rarely listen to the radio, so the overplays won't get me.  In truth, most of you probably don't listen to the radio either.  Let's be real here.  So, for the few times that I do listen to the radio, I'd love for it to be better music, and the better musical taste the general public has, the better popular radio will be.  Increased exposure can only mean a higher standard but more money-grubbing (but that was guaranteed anyways once women starting dressing in underwear for shows...they're doing what??? Yeah, why wouldn't the world be on board again?). So, go ahead, ruin my scene, I'm not even listening.  If you jack up the prices for tickets, I'll just go to smaller shows.  I know at least two things are certain.  I'm still gonna love, and I'm still gonna dance.  Gimme a beat!

Down below, some dirty little tracks...and as always, click play.  die happy. ;P

Longest post to date.

Rack 'em!

First things first, I want to apologize for the delay in the best bass-to-your-face.  With the classes I'm taking, the four hours a day I have to drive, and my ever-increasing narcissistic tendencies, you, my readers, have become the victims.  For which, I am truly sorry.

As a reward for your awesomentality (yeah, i made it up) and patience, I'm bringing you a top five (in no particular order) list of my favorite tracks this week.  Unfortunately, until my schedule settles down, this will be the norm for the foreseeable future (READ: until after Counterpoint and my NYC trip :P)

In the meantime, I'm always uploading tracks, videos, and EDM news to my social media, so if you aren't following me on either, go do it now on my twitter and my facebook.

First up, we got OMG & SHOCKWAVE on a filthy delicious collab.  I mean, they just twerk.  It's almost too sweet to stomach, but don't trust me on this.  Go snag a listen yourself. 


Now, I get a lot of smack for having more remixes of Rihanna, Adele, and Carly Rae than is healthy, but I apologize for nothing!  Girl fire is party music at it's purest form.  Without an appreciation for it, you neglect the reason we rage - to boogie with one another (duh!).  Well, here's a moombah remix of Flo Rida's Whistle.  MAADMAN is a relatively new producer than came into my realm of awareness last week.  The tracks I was able to get my hands on are pretty good, so make sure to keep a look out for this cat.


So, now, we come to the filthies. ;P  This next track is from MIMOSA.  I mean, if you've ever seen this guy live, your legs kinda get a twinge from the last time you danced for his entire set.  It's a shared, sweet feeling.  With that being said, his remix of JMSN's "Girl (I Used To Know)" is just...yum.  No other words.  Tell me it isn't good, and I'll slap your ass and call you a Republican (they're the only ones that hate good music and happiness). 


This next track is an electro house track from TheFatRat.  His remix of Dev's Turn My World On is funky and a sure-fire heater.  I dare you to listen to it and not smile.  Fah reelz, I. DARE. YOU. 


Finally, here's a monster from one of my fave filth producers TERRAVITA.  I mean, they've been making waves for awhile, and their live performance was absolutely stellar.  As an opener for Flux Pavilion, you can't really get more street cred than that.  Anyways, if you are familiar with electronica, then you know all about Aphex Twin.  If not, get that background, son!




AND FINALLY!!! Here's some bonus tracks for you.  Why, you ask?  Um, cause this chick I know is awesome, and I'm doing a dedication. deal.  Also, as my boy's girl, she gets special treatment status, by default.  That's just the way I do.  Listen to these and be jealous. ;P 

FOR Giraffes Everywhere: